Saturday, May 09, 2015

Fine prose that Surya babu weaves


Thanks for the nice review but the critical aspect seems to be stemming from an erroneous translation of Tarjama as Analysis. Tarjama is more of an Account or Interpretation while Bishleshana is the right word for Analysis. So, we can forget the objection and enjoy the fine prose that Surya babu weaves and highly insighful connections he makes. With good wishes for his forthcoming book on Odia film songs, [TNM55]

When I Google Tarjama, it has several meanings including transfer. And the second aspect is Surya babu’s account is actually replete with analytical observations. That they are limited to a select parameters is another matter. So without expecting any further (higher) discourse, it can be said that Tarjama in the subtitle is not out of place. Thanks. [TNM55]

One would ordinarily agree but for the word factual which, viewed critically, turns out to be a misnomer. Surya Deo informs that a particular song is indebted to some folk style, but it’s not a self-evident fact. Thus, it’s through his idiosyncratic observations that they come out as facts to the reader. On the other hand, he might have identified some song as touching the hearts of a large number of listeners based on its lyrics which may not be really factual. Besides, the book also contains some errors which we treat as facts till the new book is published.
It’s good that this conversation is prompting us to examine Deo’s text and its sub-texts more closely but to say that it lacks analysis would amount to denying him of any originality. [TNM55]

[on 23rd may film journalist's forum is going to screen Chilika tirey @ jaydev bhaban. on that occassion my new book Odia cenema geeta 1936 ru 1069 will be released . need your blessing and support. here is the link for cover viewing.
https://www.facebook.com/photo.php?fbid=10204617833420733&set=a.1322357133958.2048020.1081726395&type=1&theater
regards
Surya Deo.]


Tusar Nath Mohapatra

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Tusar Nath Mohapatra

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Tusar Nath Mohapatra

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The song sequence with Minati is from Sadhana (1964). http://youtu.be/qnVjEwKheP0

Tusar Nath Mohapatra

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Video clip at https://youtu.be/Z_1HELMCC8I

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Video version at http://youtu.be/L9lrDFQMecs

This evocative song belongs to the film 'Abhinetri' (1965). https://youtu.be/x__HoVg9Etk

Tusar Nath Mohapatra

Shared publicly  -  3 May 2015
Akshaya Mohanty Top 21 Non-film songs: Ei kala mora kalanka Thik tori pari jhia tie Chandrama eka chandana bindu Hari jaithiba loka-ra ki achhi Kalankita ei nayaka He faguna tume Smruti tume paunsha tala-ra nian 

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